Shop Categories
- Techno-House
- Porter, Cole
- Custom Stores
- Thrash & Speed Metal
- Trip-Hop
- Jazz
- Vocal Pop
- Tapes Under $6
- Jazz General
- Rondos
- General
- Gabon
- Chicago Symphony Orchestra
- Smith, John Stafford
- All Bargain Titles
- Australia & New Zealand
- Charanga
- Trip-Hop
- Classical Instrumental Music
- Belgium
- Machaut, Guillaume de
- Dussek, Jan Ladislav
- Easy Listening
- Tapes Under $6
- Jamaican Ska
- Verve Music Group
- General
- Tejano
- All Bargain Titles
- Erbach, Christian
- Some of our other sites:
- Books
- Clothing, Shoes and Accessories
- Baby Clothes and Accessories
- Cosmetics, Beauty Products and Fragrances
- Cellphones, Call Plans and Accessories
- Video Games
- DVDs
- Electronics, Gadgets and Computers
- Health and Personal Care
- Home and Garden
- Home DIY
- Jewelry
- Magazines and Newspapers
- Music Downloads
- Musical Instruments
- Office Equipment and Supplies
- Software and Games
- Sporting Goods
- Toys and Games
- Watches
- UK Books
- UK Video Games
- UK Home and Garden
- UK Electronics, Gadgets and Computers
- UK Baby Clothes and Accessories
- UK Software and Games
- UK Sporting Goods
- UK Toys and Games
Music : Styles : Classical : Historical Periods : Romantic (c.1820-1910) : Composers : Reinecke, Carl
-
César Franck's ever-popular Violin Sonata exists in many different versions, including one for cello and this one for flute. None of these arrangements seems to stem from the composer himself, but that doesn't matter, since the music holds up very well regardless of the instrumental vehicle. What makes this disc so spectacular--Galway's bright, immaculate performances aside--is the presence of Martha Argerich, arguably the world's greatest living pianist and something of a specialist in this very sonata as well as in the music of Prokofiev. With the Reinecke sonata thrown in as a bonus, the result is a great chamber-music recording all-around and not just another flute disc. --David Hurwitz
-
-
-
-
-
-
-
-
Chamber music purely for wind ensembles was largely overlooked by Romantic composers and as a result Carl Reinecke's genial Sextet and Octet for wind loom rather large in a sparse landscape. They are substantial, handsomely crafted works in which Reinecke's skill for scoring yields a sonority at once rich, noble and beautifully balanced. Reinecke's cycle of sixteen piano pieces Von der Wiege bis zum Grabe, here arranged for flute and piano by Ernesto Köhler, is a homage to his contemporary Robert Schumann yet loses nothing of the composer's originality and vitality.
-
-
-
-
-
-
-
The pieces by Martinù, Schulhoff, Reinecke and Janáèek included on this recording are close to my heart for many reasons. Martinù’s phrasing echoes the rhythm of the Czech language and I have a great fondness for the uneven, conversational quality of Martinù’s melodies - perhaps because of my own Slavic ancestry. His affinity for the flute is unmistakable, making this work very gratifying to play. The recently rediscovered Sonata for Flute and Piano by Schulhoff is a gem within the flute repertoire. Glimpses of Slavonic folk style, jazz and impressionism characterize Schulhoff’s writing, and the exploration of his Sonata infused this recording project with a refreshing energy. While the Schulhoff is a recent discovery for me, the Reinecke Sonata “Undine” has been a favorite piece since my childhood. The tale of the water nymph who longs to become human has always captivated my imagination, and the soaring romantic melodies are perfectly suited to the flute. The recording concludes with a short piccolo and piano piece by Janáèek entitled Pochod Modráèkù (March of the Blue Breasts). I first encountered this material when I was playing the important woodwind chamber work Mládi (Youth). The small scale piccolo piece appears rather inconsequential on its own; however, within the context of the larger work the material assumes more significance, representing substantial memories from Janáèek’s youth. The composers on this recording have many indirect historical, biographical and musical relationships; most importantly, all of the works celebrate the spirit of the flute. TANYA DUSEVIC WITEK: Tanya Duševiæ Witek has been the recipient of many awards in North America, including The National Arts Club's Tilden Prize, a Fulbright Grant, the National Flute Association's Young Artists' Competition, a Sony ES Award for Excellence, the McGraw-Hill Company’s Robert Sherman Award and several Canada Council Grants. Ms. Witek has appeared at Marlboro! Music, Mostly Mozart at Lincoln Center and The Banff Festival. She has toured the U.S. with the acclaimed "Musicians from Marlboro" ensemble and is heard on a commemorative recording celebrating the festival’s 50th anniversary. As principal flute of the New York Symphonic Ensemble and a regular guest artist with the Orpheus Chamber Orchestra, she has toured widely throughout Asia, Europe and the United States. Ms. Witek has appeared as soloist at many fine halls including Alice Tully Hall and Avery Fisher Hall at Lincoln Center, Carnegie’s Weill Recital Hall, Kioi Hall in Tokyo, Izumi Hall in Osaka, and The Purcell Room in London. She has recorded for EMI, Bridge, Panasonic, CRI, and her performances have been broadcast on CBC Radio in Canada, Radio France, NHK in Japan, as well as WNPR and WNCN in New York. Deeply committed to educational outreach, she has introduced thousands of New York City public school children to classical music through her work as a Teaching Artist for the New York Philharmonic and Lincoln Center Institute. As a founding member of the Forest Hills Chamber Players, Ms. Witek performs free concerts in community venues in the outer boroughs of New York City. A native of Calgary, Canada, Ms. Witek was educated at The University of Calgary, The Banff Center, and she received her master and doctoral degrees from The Juilliard School. Her teachers have included Philippa Fullerton, Carol Wincenc and Samuel Baron. CHARLES FOREMAN: Pianist Charles Foreman has been equally praised for his superb musicianship, formidable technique, vast repertoire, and imaginative programming. Foreman will begin Canada’s first complete cycle of the piano works of Chopin in 2006. He recently completed his first cycle of the thirty-two Beethoven sonatas, to sold-out houses and standing ovations. In 2001, Foreman concluded his “Sounds of a Century” project, ten recitals of twentieth-century piano music, one for each decade, which the Calgary Herald called "monumental…heroic… illuminating." Foreman made his
-
-
-
-
