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Music : Substores
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Johnny Cash had been breaking new ground for a decade when At Folsom Prison suddenly made the world at large take notice. The interaction of a volatile prison population starved for entertainment and a desperately on-form Johnny Cash was electrifying. His somber machismo finally found a home. The songs, which included every prison song Cash knew ("I Got Stripes," "The Wall," "25 Minutes to Go," "Cocaine Blues," plus his own "Folsom Prison Blues") were tailored to galvanize the crowd. This set is all about atmosphere. Live at the Grand Ole Opry this ain't. The 1999 version drops the San Quentin portion of the original CD reissue, instead adding three cuts to complete the full and uncensored Folsom show. --Colin Escott
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Bringing the timeless lyrics and melodies of iconic super group ABBA to movie audiences, this summer is the season for Mamma Mia! Meryl Streep leads an all-star cast in the feature-film adaptation of the beloved musical that has been seen by more than 30 million people in 160 cities and 8 languages around the world. Meryl Streep plays an independent, single mother and owner of a small hotel on an idyllic Greek island, about to let go of her spirited daughter whom she’s raised alone. But the young bride has secretly invited some guests of her own three men from her mom’s past, one of whom is the girl’s biological father. Over 24 chaotic, magical hours, new love will bloom and old romances will be rekindled, in this warm and hilarious adaptation of one of the most popular musicals ever written.
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Andrea Bocelli's new studio album is a collection of the most famous Italian songs - including Mamma, Funiculi Funicula and Santa Lucia. They are the songs which have enchanted Andrea since childhood. Released to coincide with his 50th birthday, the album is a personal tribute to his musical heritage. Popularized through concert, radio and record and the film industry by the great tenors of the 19th and 20th centuries, this selection of songs is a celebration of the Italian tenor tradition. Thanks to the legendary voices of Enrico Caruso, Beniamino Gigli, Franco Corelli, Mario Lanza and Luciano Pavarotti, these songs have become a huge global export and fueled the romance of generations to come. Incanto is also a homage to Love. It includes a group of songs which have told love stories in music for the past 170 years. The repertoire is a tribute to the many faces and places of love: love for a mother (Mamma); love for a woman (O surdato 'nammurato , Era di maggio , Un amore cosi grande , Non ti scordar di me ); love for a place (the pier in Santa Lucia, Mount Vesuvio in Funiculi Funicula ); love for a city (Napoli, Granada) and love for a country (Italy). Love for Italy, and a particular affection for Naples are prevalent themes throughout Incanto. Andrea has chosen one contemporary Neapolitan song - the "tarantella" Pulcinella, which highlights his fond connection to Naples and the city's unique position in the past, present and future of Italian song. The deluxe edition sets Andrea's songs in the romantic context of 1950s Naples. The archive materials provide a nostalgic snapshot of 1950s glamour, when Naples was the honey-pot for the rich and famous. The footage captures the spirit of romance and optimism during the days of Andrea's childhood - a sense of optimism prevalent in post war Italy around the time of Andrea's birth is captured by the visual themes of the album. The incomparable natural beauty of southern Italy is celebrated, as well as the magical aura of the 1950s and La dolce vita, which has enchanted generation upon generation since. The DVD also includes an interview with Andrea shot in different locations in Naples.Andrea Bocelli Photos
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For Celtic Thunder, Sharon Browne has teamed up with Grammy-nominated Irish songwriting and composing veteran Phil Coulter to produce a show that includes an eclectic mix of songs ranging from the traditional "Mountains of Mourne" and "Come By the Hills" to international hits such as "Brothers in Arms" and "Desperado," as well as original compositions by Coulter, who has written hits for Elvis Presley ("My Boy") and the Bay City Rollers, and performed with Van Morrison, Tom Jones, and the Rolling Stones. The ensemble numbers in Celtic Thunder reflect the power of the vocalists, who range in age from 14 to 40, and feature songs that celebrate a common Celtic heritage.
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Even those allergic to musicals may be won over by Once, a tender-hearted Irish romance with songs by Czech Republic–born Markéta Irglová and Frames frontman Glen Hansard. (The film's director, John Carney, actually used to play bass in the group.) The trick here is that Irglová and Hansard also play the leads; because their characters are shown busking, writing music, or rehearsing, the songs are smoothly integrated in the film. The overall acoustic mood won't surprise fans of the Frames--some tracks ("Say It to Me," "When Your Mind's Made Up") have even popped up on the band's albums, though the arrangements are more pared-down here, befitting the scruffy, street-musician setting. Being the lesser-known entity, Irglová feels like a revelation; she sounds a bit like a folkie Björk on "If You Want Me," and her song "The Hill" is downright heartbreaking. Irglová and Hansard had already made the 2006 album The Swell Seasontogether, so their collaboration here feels really organic--they sound particularly good together on the title track, for instance. Now that's the kind of magic you want from musicals. --Elisabeth Vincentelli
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Listeners familiar with the Charlie Haden's celebrated career may not know of the legendary jazz bassist's early years in country music performing with his family. Charlie Haden Family & Friends: Rambling Boy brings the artist's personal history full circle and presents a new generation of the Haden Family - a legendary Midwest music institution in the 1930s and 1940s, now reborn in the 21st century. Rambling Boy includes songs made famous by the Stanley Brothers, the Carter Family, and Hank Williams alongside fabled traditional tunes and some striking original compositions. The performing cast includes Haden, his wife and co-producer Ruth Cameron, all four of his children (the triplets Petra, Rachel and Tanya Haden, their brother Josh Haden), and his son-in-law Jack Black-- each of whom has his or her own career in music. In addition, Rambling Boy features guest appearances by some of the most illustrious names in contemporary Americana and popular music: Roseanne Cash, Elvis Costello, Vince Gill, Bruce Hornsby, Ricky Skaggs & the Whites, and Dan Tyminski and also includes such illustrious musicians as Jerry Douglas, Sam Bush, Stuart Duncan, Bryan Sutton and more.
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She may be beautiful, but Alicia Keys is a musician first and foremost. She plants herself firmly behind the piano keys on her debut, unlike many of the booty-waggin' junior divas who are crowding the R&B videoscape these days. Though many of the tracks on Songs in A Minor are embellished with adolescent angst, this 20-year-old's substantial, gorgeously soul-drenched alto putties the cracks between notes with astonishing ease. "Fallin'," the album's first single, showcases Keys at her best. She wails plaintively and passionately over rolling blues chords, in the tradition of the greats that this young talent clearly wants to align herself with--Stevie Wonder, Donny Hathaway, and Aretha Franklin. She swoops and soars over the spicy, flamenco-fueled melody that opens "Mr. Mann," one of the many winning tracks gathered here. And she digs deep into a remake of the beloved Prince B-side, "How Come U Don't Call Me Anymore?" packing more heat into her melismatic wails than most singers twice her age. --Sylvia W. Chan
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The Beatles' last days as a band were as productive as any major pop phenomenon that was about to split. After recording the ragged-but-right Let It Be, the group held on for this ambitious effort, an album that was to become their best-selling. Though all four contribute to the first side's writing, John Lennon's hard-rocking, "Come Together" and "I Want You (She's So Heavy)" make the strongest impression. A series of song fragments edited together in suite form dominates side two; its portentous, touching, official close ("Golden Slumbers"/"Carry That Weight"/"The End") is nicely undercut, in typical Beatles fashion, by Paul McCartney's cheeky "Her Majesty," which follows. --Rickey Wright
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Speak Low his 17th. studio album; a follow-up to 2003's But Beautiful - "a sort of progressive, experimental effort ... along the lines of some of the ideas that Gil Evans explored" says Boz. Songs on the album include Chet Baker's "She Was Too Good To Be True," Johnny Mercer's "This Time the Dream's on Me," the often recorded "I Wish I Knew How It Would Feel to Be Free" and the Kurt Weill/Ogden Nash title track. "I'm a vocalist," Scaggs says. "I come more out of a blues/rhythm & blues background, but this is a different way of using my voice, and much more musically challenging and adventurous for me."
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