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Music : Styles : Classic Rock : Southern Rock
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2008 release, the latest in this long-running series of Pop compilations. This is the most up-to-date compilation on the market, containing the absolute hottest songs on the planet including certified hits, songs currently scaling the charts and sizzling radio smashes. This, the 29th installment in the series, features 20 tracks including cuts from Pink, T.I., Lil' Wayne, Leona Lewis, Kardinal Offishall, Rihanna, Pussycat Dolls and many others. Why listen to yesterday's songs when you can live in the here and NOW?!?!
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Popular but not hip, basic but not shallow, rooted but not retro, Creedence Clearwater Revival distinguished themselves in the late 1960s and early 1970s through these contradictions. This six-disc set is the definitive Creedence collection, offering superbly remastered versions of all of their studio and live albums and adding a disc's worth of pre-Creedence material. The ultimate blue-collar rock band, John Fogerty and CCR found success by wholly giving in to their fascination with the American South (despite hailing from Northern California) and exploring the turf that connected R&B and country--the same turf that their heroes at Sun studios tilled at rock's birth. As the songs on the first disc prove, they hadn't always taken this approach though perhaps they should have: The first four songs from 1961 (by Tommy Fogerty and the Blue Velvets), original compositions in the classic '50s rock & roll style they loved, hold up better than subsequent Golliwogs tracks that attempt to replicate the British Invasion sound in vogue at the time. Still, the Golliwogs tracks offer hints of John Fogerty's menacing growl and biting guitar that would fully blossom later on.
When diving into CCR's entire body of work, many myths dissipate and a more well-rounded view comes into focus: the quintessential singles band that dominated AM radio was also quite an album band, releasing solid records from top to bottom even though half of the songs were saturating radio long before the LP would hit. Also, they weren't quite as far removed from their Bay Area brethren (who were reared on the same roots music) as is often stated, offering a number of long and loose jams that, while not overtly psychedelic, gave them and their fans a chance to stretch out. Without question, though, CCR were the kings of the three-minute rock single, and it's these now-ubiquitous gems--the consummate AM band now dominates FM radio--that will always define them. --Marc Greilsamer
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ZZ Top, the "little ol' band from Texas", has enjoyed enormous success on a global scale since their breakthrough in the early seventies and then their groundbreaking albums in the mid-eighties. Now for the first time one of ZZ Top's legendary live performances has been filmed for simultaneous release on DVD & Blu-ray. The track listing spans their career from early tracks such as "Waitin' For The Bus", "Just Got Paid" and the classic "La Grange", through their eighties blockbusters including "Gimme All Your Lovin'" and "Legs" (complete with furry guitars!) and up to more recent hits like "Pin Cushion". Filmed in their home state of Texas in front of a wildly enthusiastic audience, this DVD & Blu-ray captures ZZ Top at their very best.
TRACK LISTING 1) Got Me Under Pressure 2) Waitin' For The Bus 3) Jesus Just Left Chicago 4) I'm Bad, I'm Nationwide 5) Pin Cushion 6) Cheap Sunglasses 7) Pearl Necklace 8) Heard It On The X 9) Just Got Paid 10) Rough Boy 11) Blue Jean Blues 12) Gimme All Your Lovin' 13) Sharp Dressed Man 14) Legs 15) Tube Snake Boogie 16) La Grange 17) Tush
BONUS FEATURE Poker Game - Billy Gibbons, Dusty Hill & Frank Beard talk through the history of ZZ Top over a game of poker. Dallas Show Day - Behind the scenes on the ZZ Top live show. Photo Shoot - On location with ZZ Top for a typically iconic photo shoot. Bonus track - ZZ Top perform Jimi Hendrix's "Foxey Lady" live on stage.
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Little Feat's new release showcases the very best of their 40 year long career with a stellar list of guest stars (Jimmy Buffett, Dave Matthews, Emmylou Harris, Chris Robinson, Bob Seger, Vince Gill, Bela Fleck, Brooks and Dunn, Sonny Landreth, Mike Gordon (Phish), Jim Mayerand Inara George (Bird and the Bee)), capturing all the energy of one of rock's great live bands.
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Revised with 2 significant tracks and artwork not previously included. When Elvis was growing up, the Presley family attended the First Assembly Of God church in Tupelo and subsequently in Memphis. Elvis's music was greatly influenced by attending these churches, but reglious music came to Elvis in many shapes and forms. Religious songs were often part of the repertoire for country stars on the Grand Ol' Opry - a syndicated radio Nashville broadcast that the Presley's almost always tuned into on Saturdays. As a teen, Elvis and his friends would sneak into churches in the black neighborhoods to catch the lively music of a different musical heritage. The welcoming congregation and uplifting sound opened up Elvis's understanding of the multiple facets of reglious music. ULTIMATE GOSPEL provides testament to Elvis's musical excellence and acknowledges the priceless contribution of the talented songwriters, musicians and producers involved.
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In the us, montgomery gentry have racked up 11 top 5 singles, 3 platinum and 2 gold discs. The latest single 'back when i knew it all' is their fastest rising single to date, this week hitting a new peak at #11 on billboard and holds within the top 20 on r&r radio charts. In may (2008) they were nominated for 'top vocal duo' at the acm awards.
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With their dueling guitar leads and harmonies built on a double drummer foundation, the Allman Brothers Band cast the mold for the southern rock sound that would proliferate in the '70s. Virtuoso musicians, their songs drew upon a number of southern influences, including country, the blues, New Orleans jazz, and even gospel, creating a sound that was distinctly theirs. Decade of Hits is a great catalog of the Allman's at their guitar wielding best. The sweet, infectious harmonies on the instrumental "Jessica" have become a classic reference point in themselves. Next to the tragedies that plagued them--two motorcycle deaths, heroin addiction--the Allman's are probably best known for the heroic "Ramblin' Man." Written and sung by the now legendary Dickey Betts, the song contained everything that made the band great: intricate guitar harmonies, a strong melody, and just enough twang to keep the thing tight. Decade also contains Allman staples "Melissa," "In Memory of Elizabeth Reed," and "Southbound." --Steve Gdula
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No other Otis compilation quite satisfies the way the old double-LP best-of does, but never mind: any way you hear Redding's many great moments is a good one. The Very Best splits ballads and up-tempo stuff half-and-half, letting you hear the great one's humanity in every mood--the pile-driving rock of "Respect," the preaching fervor of "Try a Little Tenderness," the nascent reflection of "Dock of the Bay." A record collection with no Otis is a poor thing: here's yours. --Rickey Wright
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Kid Rock maintains a remarkable propensity for wearing his contradictions on his sleeve, and more than anything he's previously released, Rock n Roll Jesus finds fuel in unresolved opposites. Is he a hard-core chauvinist ("Half Your Age") or a would-be gentlemen ("When U Love Someone")? Is he a God-fearing everyman ("Blue Jeans and a Rosary") or a bohemian hero ("So Hott")? These questions are nothing new, even if the album at hand takes them to freshly delirious extremes. Ever since he first began shedding his rap/rock posture to be the next Ted Nugent, Kid Rock has constructed his public persona out of full-frontal ambivalence: race, class, sex, religion, money, whatever it takes. This album's bookends--the title song and "bonus" track, "Lowlife (Living the Highlife)"--demonstrate all this irreconcilable nonsense in no uncertain terms, but all his polar wobbling is at least stabilized by a firm commitment to southern-styled rock, tinged at times with gospel, blues, a lingering need to rap ("Sugar"), and a rare, soul-fed instrumental jambalaya ("New Orleans"). In the end, Kid Rock may be a remarkable self-promoter, but a musical Messiah he is not. --Jason Kirk People en Español
Pareciera que Kid Rock está madurando, en Rock and Roll Jesus ha dejado atrás al típico rockero que se conformaba con escandalizar, y se ha atrevido a navegar las aguas de otros géneros como el country y el blues en canciones como "New Orleans" y "All Summer Rock," además Rock se ha olvidado del hip-hop, hoy denuncia la muerte absurda de soldados en Irak y el racismo. Pero no crea que el músico se ha convertido precisamente en un santo, el disco incluye canciones poderosas como "So Hutt" que es puro rock o "Half Your Age" en la que no es secreto que vuelca todas sus frustraciones por haber perdido a Pamela Anderson. En la canción él dice que ahora tiene una chica más joven y más hot. En suma Rock and Roll Jesus es un material mucho más maduro, pero si quiere escuchar al Kid Rock escandaloso y despreocupado de antes quizá no sea buena idea comprarlo. Por el contrario si le gusta el hard rock de los años 70 y el country, este es un álbum que le gustará. --Ernesto Sánchez (People en Español
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Japanese only SHM-CD (Super High Material CD - playable on all CD players) pressing. Universal. 2008.
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Already tagged with the unfortunate critical label of "southern-fried Strokes," the full-length debut by the brothers Followill (Nathan, Jared, Caleb) and cousin (Matthew Followill) may well have its roots in their itinerant evangelist father Leon blasting his sons with relentless doses of ‘70s rock as they traveled the South from one preaching gig to the next. But the way the Kings channel sources as disparate as Led Zeppelin's "That's the Way" into "Joe's Head" or the Who's "Circles" into their ""Molly's Chambers" seems almost subconscious; after a decade of bands trying to reinvent the rock wheel, it's refreshing to hear one content to gleefully pry it loose and send it spinning in their own peculiar directions. As with all the great ones, deconstructing the Kings' sound doesn't get you far: singer/guitarist Caleb perpetually seems to be rolling one too many syllables off a lazy, Southern tongue while his haystack-haired brothers and cousin chug maniacally along like some lost, recently re-tooled '60s garage-psych-rock legend. In the end there's not an ounce of the Strokes' latent pop culture self-consciousness in the Kings' intoxicating sonic haze--just the restless, often bittersweet noise of one of the most original bands to hail from Dixie since R.E.M. --Jerry McCulley
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ZZ Top, the "little ol' band from Texas", has enjoyed enormous success on a global scale since their breakthrough in the early seventies and then their groundbreaking albums in the mid-eighties. Now for the first time one of ZZ Top's legendary live performances has been filmed for simultaneous release on DVD & Blu-ray. The track listing spans their career from early tracks such as "Waitin' For The Bus", "Just Got Paid" and the classic "La Grange", through their eighties blockbusters including "Gimme All Your Lovin'" and "Legs" (complete with furry guitars!) and up to more recent hits like "Pin Cushion". Filmed in their home state of Texas in front of a wildly enthusiastic audience, this DVD & Blu-ray captures ZZ Top at their very best.
TRACK LISTING 1) Got Me Under Pressure 2) Waitin' For The Bus 3) Jesus Just Left Chicago 4) I'm Bad, I'm Nationwide 5) Pin Cushion 6) Cheap Sunglasses 7) Pearl Necklace 8) Heard It On The X 9) Just Got Paid 10) Rough Boy 11) Blue Jean Blues 12) Gimme All Your Lovin' 13) Sharp Dressed Man 14) Legs 15) Tube Snake Boogie 16) La Grange 17) Tush
BONUS FEATURE Poker Game - Billy Gibbons, Dusty Hill & Frank Beard talk through the history of ZZ Top over a game of poker. Dallas Show Day - Behind the scenes on the ZZ Top live show. Photo Shoot - On location with ZZ Top for a typically iconic photo shoot. Bonus track - ZZ Top perform Jimi Hendrix's "Foxey Lady" live on stage.
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One of the world's greatest rock 'n' roll bands ever to strut the 50 States, these sharp-dressed Texas titans-Billy F. Gibbons, Frank Beard, and Dusty Hill-are a righteously hell rain' power trio boasting a 30-plus year hit-making legacy, both in the studio and at concert arenas. With their revved up blues 'n' boogie, they always make the most of their Texas birthright with with a distinctive sound that shakes up rock, blues, soul, garage-funk, Americana, and more. Nowhere is their force of nature musicianship better displayed than on these two album classics, revved up wtih red-hot bonus rarities. "You know what I'm talkin' about...an how how how how."




















![ZZ Top: Live from Texas [Blu-ray]](http://ecx.images-amazon.com/images/I/51tUfg5yuaL._SL160_.jpg)
